Doodling Monsters (or I Heart Cephalopods)

Cephalopods!

I love coming home at the end of a long day and doodling monsters. It satisfies my urge to both A) do something and B) do nothing.

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The Non-stop Carnival of Horrors that is You

The Non-stop Carnival of Horrors that is You

The Non-stop Carnival of Horrors that is You and All Your Friends

This is about us. All of us. The shitshow that life is, biologically. Life is a miracle, yes, but a disgusting miracle that makes sure you die.

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KRA-KOOM!

KRA-KOOM!

KRA-KOOM!

We don’t get a whole lot of rain out ere in Las Vegas, but I love it.

Also quite a celestial gathering in my sky over the weekend.

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People Are Gross

People Are Gross

People Are Gross

Sometimes I crack myself up.

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Angel’s Landing

Angel's Landing

Angel’s Landing

See, this is why you can’t throw out the word “awesome” for sandwiches. You keep that shit. You keep it until it means what it means, like now.

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Careful With That Axe

Careful With That Axe

Careful With That Axe

Careful With That Axe

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Sweet Jesus That’s Smooth

Sweet Jesus That's Smooth

Sweet Jesus That’s Smooth

Sweet Jesus That’s Smooth

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What You Think, You Become. What You Feel, You Attract.

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April’s Drawings

I’ve been teaching Typography at UNLV for the last couple years (GRC 360.1002, come check it out) and this was me reminding myself in my calendar book that I have classes in both of those to teach. Just some tips and tricks for doing type in those programs effectively.

And of course April means OBC, when all the outlaw bicycle clubs from all over America come to Vegas for our annual hoedown. It’s great, this year’s theme is One Big Club.

Oh, and I’m teaching my students to sketch out typographic quotes, too.

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She’s So Heavy

I Want You (She’s So Heavy)

That Beatles song has one of the heaviest riffs ever. I saw the band Torche jam on that riff years ago and just caught Portugal The Man, who spent some time ripping it out too. When it gets up on you, so heavy like that, it’s wonderful.

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